Find album reviews, stream songs, credits and award information for Greatest Hits - Do or Die on AllMusic - 2003.

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A quick note: This isn't by any means a definitive Pimp C playlist. Build your own hydraulic forging press pdf file. Over on the, Noz is doing an amazing job unearthing all manner of Pimp-related rarities, and you owe it to yourself to dig a little deeper and check it out. Solomon Burke: 'Got to Get You Off of My Mind.' Pimp grew up steeped in music, particularly Southern soul music. His father was a trumpet player for Burke, among others. In, Pimp talked about being a kid and playing around with his father's jukebox and piano, singing in his choir, and playing trumpet in his school band.

There's a great moment in the interview where Pimp talks about something his stepfather, who was also Pimp's music teacher, told him when he first started producing rap records: 'Put some music in that shit, you know you know how to read music. Put some goddamn melody in that shit and maybe you can get some money.' Pimp took that suggestion and ran with it. In the early 90s, a few other producers were playing around with live instruments and warmer, expansive tones: Dr. Dre, DJ Slip and the Unknown DJ, the Rap-A-Lot stable of house producers, a few others.

But Pimp's tracks sounded even fuller and more layered than those guys' work. And rather than just looping up his tracks, Pimp kept new elements fading in and out for his tracks' entire running time.

Consider, for example, the piano that noses around the corners of 'It's Supposed to Bubble,' never settling into one basic figure, or the murmuring blues-guitar curls buried in 'Diamonds and Wood.' Pimp's beats could be intense and vicious, but even then they always subtly mutated and evolved. He was a musician first. UGK: 'Feel Like I'm the One Who's Doin' Dope' One of the weird things about really early UGK is that at the beginning, Pimp was pretty much just as good a rapper as Bun. There's something vaguely awkward and tentative about Bun's delivery early on, at least compared to the insanely on-beat authoritative preacher's rumble he'd develop soon enough. Pimp, meanwhile, arrived more or less fully formed, sinking his distinctive nasal drawl deep into his beats, stretching out his syllables in a mocking singsong and displaying a serious eye for lyrical detail. This song, from UGK's 1992 Jive debut Too Hard to Swallow, is a Pimp solo showcase, and it follows the same basic narrative template as the Geto Boys' 'Mind Playin' Tricks on Me': Pimp paranoid and hallucinating, not sure he can trust himself.