• ' Released: 30 November 2000 • ' Released: 28 March 2001 • ' Released: 11 June 2001 • ' Released: 13 October 2001 • ' Released: 10 October 2003 • ' Released: 14 November 2003 Discovery is the second by French duo, released on 26 February 2001. It marks a shift from the sound prevalent on their first studio record, (1997), to a style more heavily inspired by,,,. Comparing their stylistic approach to their previous album, band member described Discovery as an exploration of song structures and musical forms whereas Homework was 'raw' electronic music. He also described Discovery as a reflection of the duo's childhood memories, when they listened to music with a more playful and innocent viewpoint. The album was recorded at Bangalter's home in between 1998 and 2000. The album features extensive; few samples were from older records, while others were recorded by Daft Punk playing live instruments themselves.

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Fellow electronic musicians,, and collaborated on some tracks both musically and lyrically. For the album's music videos, the group developed a concept involving the merging of with the. Inspired by their childhood love for Japanese, the duo collaborated with to produce, an anime film with the entirety of Discovery as the soundtrack. The film features no dialogue, with few sound effects. In the lead-up to Discovery 's release, the duo adopted robot costumes, claiming they had become robots as a result of an accident in their studio. They also launched Daft Club, a website which featured exclusive tracks and other bonus material. Discovery was a critical and commercial success, peaking high across several charts internationally on release.

Critics praised Daft Punk for innovating the house music scene in the same manner they had done with Homework. The album spawned six singles; ' featuring Romanthony was its most successful, and became a club hit. Contents • • • • • • • • • • • • • • • • • • • • • • Background [ ] After their debut album was released, and spent most of 1997 touring on the. For the first half of 1998, the duo was focused on their own personal labels, while also working on the video collection. In 1999 and 2000, their time was split between making music for their own labels and recording Discovery. Recording [ ] Discovery was recorded in the duo's own studio, Daft House, located at Bangalter's home in Paris, France.

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Free download suara kenari isian ciblek. Daft Punk started work on the album in early 1998, and produced it over the course of two years. Bangalter and Homem-Christo made music together and separately, in a similar process to their debut album. Although they used the same equipment as they had for Homework, the duo sought to record tracks that were more concise than their previous work. For Discovery, the group used different samplers and synthesizers, including,,. The track 'Short Circuit', which features a drum pattern, was previously heard in Daft Punk's 1997 live sets. For, the group used a,, and a.

Production on the album also incorporated a PC with an early version of. Every track on Discovery uses a different.

The album was by Nilesh Patel, who also had mastered Homework. One of the first tracks to come out of the Discovery sessions, ', was completed in 1998 and was left 'sitting on a shelf' until its single release in 2000. After completing 'Too Long' early in the album's production, Daft Punk decided that they 'didn't want to do 14 more house tracks' in the way the genre is usually defined, and thus set out to incorporate a variety of styles for the record. The album features musical contributions from,,.

Romanthony and Edwards were some of the producers that had the most influence on Daft Punk. The duo had wanted to work with them on Homework, but found it difficult to convince them to do so since they were still relatively unknown. DJ Sneak wrote the lyrics to 'Digital Love' and assisted in the song's production. Music [ ] Theme [ ] Discovery is recognized as a. It relates strongly to Daft Punk's childhood memories, incorporating their love of cinema and character. Specified that the album deals with the duo's experiences growing up in the decade between 1975 and 1985, rather than it just being a tribute to the music of that period. The record was designed to reflect a playful, honest and open-minded attitude toward listening to music.