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Written by on November 5, 2015 Barry Harris (photo: Mirko Caserta) Pianist, composer, music theorist, and educator is one of our last links to the extraordinary and rich BeBop tradition pioneered by Charlie Parker, Dizzy Gillespie, Bud Powell, and more. What’s lucky for us, however, is that Barry Harris (sometimes nicknamed “Coach”), has worked tirelessly to impart his knowledge to other musicians for decades, holding court in a. For those in the NYC area, this is an essential event to check out. AllAboutJazz.com recently ran a wonderful interview and profile on Barry Harris, which you can. Through it, you can learn more about his life and his methodology.

Once you’re done, check out our own video series with Barry Harris, covering Jazz theory. It’s a very advanced video series, so take your time, and re-watch as often as you need! Part one below.

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Contents • • • • • • • • • • • • • • • • • Early life and career [ ] Harris began learning the piano at the age of four. His mother was a church pianist and had asked if Harris was interested in playing church or jazz music. Having picked jazz, he was influenced by,. Harris had a strong admiration for the style of Powell, claiming it to be the 'epitome' of jazz. He went to public areas to play dances for clubs and ballrooms.

Harris learned the bebop styles largely by ear, imitating the solos played by Bud Powell in his teenage years. Later life and career [ ] 1950s [ ] Harris was based in Detroit through the 1950s and worked with musicians such as,. He also performed in place of, who was 's regular pianist for his group frequently. In addition, Harris toured with briefly in 1956 as a pianist after the group's resident pianist (younger brother of Bud Powell) died in a car crash.

1960s [ ] Harris performed with 's quintet and even had a chance to do a television stint with them. Harris relocated to New York City in 1960, where he became a performer as well as a jazz educator. During his time in New York, Harris collaborated with,, and through performances and recordings. Between 1965 and 1969, Harris performed extensively with at the. 1970s [ ] During the 1970s, Harris lived with Monk at the home of the jazz patroness, and so was in an excellent position to comment on the last years of his fellow pianist.

Harris also sat in for Monk for rehearsals at the New York Jazz Repertory Company in 1974. By the mid-1970s, Harris and his band members gave concerts in European cities and Japan. In Japan, he performed at the Yubin Chokin concert hall in Tokyo over two days and his performance were recorded and compiled into an album released. Harris in 1981 Between 1982 and 1987, Harris took charge of the Jazz Cultural Workshop on the 8th Avenue in New York. Harris appears in the 1989 documentary film (produced by ), performing duets with. 1990s [ ] Since the 1990s, Harris has collaborated with Toronto-based pianist and teacher in creating a series of videos and workbooks documenting his unique harmonic and improvisational systems and teaching process. 2000–present [ ] In 2000, he was profiled in the film Barry Harris - Spirit of Bebop.